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And presence on these instruments. Too much boost can make higher-frequency instruments sound muffled and give low frequency drums like kick and toms a ‘cardboard box’ quality. Within this range, EQ is most often applied between 300 Hz and 400 Hz. Boosting between 250-350Hz can increase vocal distinction and fullness, especially for female singers.To properly set the amount of low bass in your mix or in your instrument sound, you must listen both loud and soft, and ideally on large and small speaker systems (see the explanation of the Fletcher-Munson Effect in the Advanced Technique section). Too much energy in this range will make the mix sound muddy on large speakers played loud, but still sound good on small speakers played at a medium volume. You want the mix or instrument to sound larger and more powerful over large speakers without sounding muddy. In dance music, individual instruments – the bass or kick – can be boosted below 80 Hz, but keep it to just these one or two instruments for clarity rather than mud. Having many sources of sub-bass end up cancelling each other out, as bass frequencies are very susceptible to phase problems. For example, if your bass drum disappears now and again in the mix, it’s probably because another sound is also hitting exactly the same frequency. It’s because of this that adding more bass to multiple things can often lead to a bass loss in your mix.Sub-Bass Range 20-80Hz This region brings the sense of weight and power to the mix. The lowest possible pitch of a bass guitar or string bass is around 41Hz. Rumble below 40Hz can be removed with a high-pass filter for a tight sub-bass sound. For club music (to be played primarily on a large sound-system) you’ll want to aim for